Top 8 Phaser Sound Effects Machine For Your Dash

Sound effects to enhance your daily life! Sprinkle your conversations with a burst of canned laughter, a round of applause or a wa-wa-wa-waaaaah. You may feel the need for a major explosion, or the load-and-fire of a pump action shotgun. You will soon wonder how you ever managed without a perfect push-button wolf-whistle, a raspberry, or a fanfare and drum-roll on demand. Quality sound-bites in a sleek, pocket-able machine including: applause, laughter, boos, wrong answer, ka-ching, drum roll, comedy punchline music, whistle, scream, and many more. It’s always time to have a laugh with NPW whether it be a birthday, office prank, sleepover, party or just because you want a mega LOL. NPW lives and breathes cheekiness. Entertain friends with hilarious gifts and gadgets that will crack them up! There is never a dull moment with NPW in your life!

The HYPE Button blasts a hip hop air horn sound effect to HYPE up your life! The HYPE Button is recommended by doctors and scholars around the world to liven up even the most ordinary and boring life events. Ask your cardiologist if The HYPE Button is right for you!

The Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

Both a flexible performance controller and a tightly integrated production environment, PreSonus’ ATOM pad controller and included Studio One Artist production software let you create and perform with ease. The most versatile pad controller in its class, ATOM is compatible with most music software and lets you perform and produce with virtual instruments and trigger samples and loops in real-time, using 16 full-size, velocity- and pressure-sensitive RGB pads; 4 programmable rotary encoders; 20 assignable buttons; and 8 assignable pad banks. To fuel your creativity, you get an MVP Loops library custom-designed for ATOM, in addition to more than 2 GB of Studio One content.

Beat Production – Anywhere

Akai Professional’s MPD218 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with seamless USB connectivity to bring the feel of classic beat making into the world of computer music production. At the heart of MPD218 are 16 ultra-sensitive, hyper-playable Thick Fat MPC pads, ideal for triggering drums, one-shots, melodic samples, basslines and more; with 3 pad banks available and a pressure- and velocity-sensitive specification, expand MPD218’s performance capability to 48 fully-assignable, ultra-reactive triggers that capture every subtlety and nuance of your performance.

Strap into the co-pilot seat and join Lillian on a Sonic journey. Leaving nothing behind but clean, puffy white trails of whirling, pulsating and whooshing analog phase effect. Viewers from below admire in a trance as it transforms the air into a unique and mesmerizing moment. The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like rate, width, feedback, and d-p-v blend, The Lillian is packed with a wide array of Analog Phaser goodness waiting to be dialed in. The “stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6. The d-p-v knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect. Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come. Borrowed from the Julia, the unique blend between dry, chorus and vibrato has also been provided on the Lillian. Blend between dry, phase shifted, and vibrato (labeled d-p-v on the pedal). The dry-phase-vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set It to noon for equal parts dry and wet – The traditional Phaser setting. Set It to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.

Mxr knows Phases. The phase 90’s compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all Other Phases are judged. Two years later, MXR released the phase 45-a mellower version of the effect favored for its ability to easily blend into a band’s mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The phase 95 combines the phase 45 and phase 90 circuits in a Mini housing with about half the footprint of a standard MXR pedal. The 45/90 Switch toggles between the phase 45 mode’s subtle two-stage phasing and the phase 90 mode’s more pronounced four-stage phasing, while the script switch toggles between two phasing styles. The phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect A more accentuated Swoosh. Engaging the script switch removes feedback for a Lusher, more subdued sound with higher headroom and greater clarity. The familiar speed control sets the rate of the effect. The phase 95 may be small, but it’s full of rich phase tones, and it’ll take a beating on the road.