Top 9 Phillipe Starck Alessi Juicer

One of the first projects by French designer, Philippe Starck for Alessi. The Juicy Salif was devised in the second half of the 1980s (along with the Walter Wayle II wall clock, the Hot Bertaa kettle and the large Max le Chinois colander). An excellent example of Alessis role as artistic mediator in the most turbulent areas of creative potential (the piece was his response to our precise briefing for a stainless steel tray), it remains unparalleled in its ability to generate discussions about its meaning and design, partly because of its unconventional use of what semiologists refer to as the decorative veil which, even though generally in a less overt manner, is inexorably destined to cover all objects created by man. To fully understand the true meaning of its existence, it is possibly necessary to refer to the theories of Leroy-Gourham, who considers the notion of functional approximation to be fundamental. This notion suggests that there is always a certain degree of freedom in interpreting relationships between Form and Function: it is precisely this continual play between Form and Function that leads to the decorative veil mentioned above, that Floch considers to be the manifestation of the legendary and aesthetic dimension of the object, as originally defined by Greimas. As well as being the most controversial citrus fruit squeezer of the 20th century, it has also become one of the icons of design of the 1990s, and it continues to be one of the most provocatively intelligent articles in the Alessi catalog.

Alessi ASG31 O Mandarin, Citrus-squeezer with goblet in thermoplastic resin, orange. Designer: Stefano Giovannoni.

Alessi RK01 mysqueeze, citrus-squeezer in 18/10 stainless steel mirror polished. Designer: Roland Kreiter.

Alessi 85, citrus-squeezer in 18/10 stainless steel mirror polished. Designer: Carlo Mazzeri, Anselmo Vitale.

The 9090 isn’t just the first stove top espresso coffee maker in history: it was also first object for the kitchen after the 1930s, the first of many Compasso d’Oro awards (1979), first object to be inducted into the Permanent Design Collection at the New York MOMA, and of course it’s the best-loved Alessi coffee maker bar none, as well as first “amphibious object”, i.e. it is for kitchen use, but with its high design quality it can also be brought directly to the table.

Alessi GV33 Valerio, Citrus-squeezer/pestle in 18/10 stainless steel. Designer: Guido Venturini. Material: Stainless Steel.

“Apostrophe” GCH02, designed by Gabriele Chiave, is an unusual object that doesn’t reveal at first sight its function. It’s a small kitchen accessory that can be used to draw on the orange skin to create food design, easy to use, thanks to its ergonomic handle.

Genuine Alessi replacement glass for 11 ounce (3-cup) coffee press. NOT for larger 33 ounce (8-cup) coffee press see item 35741.

Conclusion

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